Part mystery, part visual experiment, Loving Vincent is a reverent ode to the 19th century painter Vincent van Gogh. ‘The world’s first fully painted film’, it’s a beautifully animated affair inspired by his greatest works of art, from Starry Night to Sunflowers. Shot with actors then painted over frame by frame, Dorota Kobiela’s film is a real one-off, though the constantly-shifting imagery recalls Waking Life and A Scanner Darkly.
Douglas Booth stars as Armand Rolin, the man charged with delivering a letter to Vincent’s brother after the artist died of gun-shot wounds that were supposedly self-inflicted. The truth appears to be murkier as Rolin starts to play detective and interrogates Van Gough’s cohorts, but the procedural is plodding and Booth’s delivery is disappointingly bland after his stand-out turn in The Limehouse Golem. Eleanor Tomlinson enlivens proceedings as an innkeeper’s daughter, but even with Chris O’Dowd, Helen McCrory, Aidan Turner and Saoirse Ronan on board, this remains remarkable only for its technical prowess. The imagery may distance you from the narrative but visually, this does its inspiration proud.